Cleo
That look, the intense glare of Siamese blue eyes. If looks could kill . . . truth be told, her coat...

This is an untitled piece I never liked that much, but several people have told me what they like about it - the subtle way the golds and greens are reflected across the river, the fine lines in the rocks reminiscent of Pitre, the talk of spring and mist and fog and newness.
Why it has escaped the purging bonfires, and why I keep it, is if you haven't noticed, many of my paintings are completed on New Years Day, year after year. This, I think, is the earliest of those, painted on New Years Day 1993. I'm not sure why I'm always painting on New Years Day but happy that I am.
That look, the intense glare of Siamese blue eyes. If looks could kill . . . truth be told, her coat...
Mother Tree was a one evening project that almost painted itself, and knew immediately when it was d...
It Begins With Us is part of a series that began with one of my wife’s daily walks in which sh...
Point Loma is not really a landscape painting, at least, that’s not how I intended it. It...